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Recently I got to take a few art pieces out of storage, some of which I hadn’t seen in awhile. Seeing it now, old work sitting next to newer pieces, I was struck with a few thoughts… 1. My color palette is consistent, no matter what I do. I love color and use it freely. 2. Patterns, overlapping patterns …
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I finally got some time to work on a big piece today. It has been a while. One has to slow down in order to hear the inner-voice that is trying to speak. First you do one thing, then another, stand back and look, letting the next step “reveal” itself… And on and on it goes. …
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Layachi has been working with leather since he was a child. He started at around 9-years-old. He was probably fetching pelts and tea at that age, his hands too small to hold the tools, but no matter he is a MASTER craftsman now, and an amazingly nice guy. While in Tetouan, Morocco in February-March 2016 …
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Patience is the most important thing when dealing with anything “new.” And being patient is especially important when art journaling. I say this because the final image slowly reveals itself… first going one way, then another… sometimes resting with nowhere to go for a while… then finding a new path. For those of you unfamiliar with the …
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The San Diego Book Arts (SDBA) recently welcomed back Seth Apter for two two-day workshops in San Diego. I attended the first workshop, “Cover to Cover,” which was held September 16 & 17, 2015. This workshop was about using mixed-media techniques to create a one-of-a-kind, unconventional artist’s book. Using vintage book covers as the base, and making a series of double-sided “pages” filled edge …
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Jean Michel Basquiat is one of my favorite painters. His work is loose, playful and inventive. On the other hand, it seems to me as though everything I do gets tight and serious really fast, and finds its way to being too “realistic,” which I find… boring! This is probably why I have developed this deep …
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I am a member of the San Diego Book Arts (SDBA). The group is made up of about 150 artists who are involved to varying degrees in book arts. I decided to get involved with this particular group because it’s so active… They host so many wonderful workshops lead by brilliant teachers. Most of the workshops are …
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Keep it simple: Start with a large sheet of Bristol board. Basic primary color acrylic paints, no bushes choosing to mix and apply paint with your hands. Paint a ground. (background) Notice if anything is calling for your attention. Grab a section. (outline area) Look at the whole and remove what you don’t like. Paint …
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Raw, open and expressive are the qualities that both describe the artist and his art. Intuitive painting, using the most basic essential tools which include red, blue, yellow, black and white acrylic paint, four brushes, four pastel sticks and a pencil, oh and Bristol board.
It’s what’s inside that matters not the materials. Jesse Reno teaches us to see in a new way…
Sign up for his next workshop. Better be quick He’s a rising star.
Getting more than I bargained for! That should have been the title for this amazing workshop. I’ll admit, I was hesitant about taking this class. I’m into paper, not fabric, and my sewing machine was a little dusty from lack of use. (I wasn’t even sure if it would work). I like constructing books but …
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Held Friday October 3, 2014 at Joan Crone’s Lark Street Studio in San Diego, this was the second Gelli printing class that I offered to members of the SDBA. San Diego Book Arts, an organization that I belong to, and seem to be very involved with these days. The group is made up of folks …
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According to Pema Chödrön, “To be fully alive, fully human, and completely awake is to be continually thrown out of the nest.” This speaks to me deeply. Learning new techniques, new processes and new materials keeps my creative engine sharp… constantly thinking up new things to make or how to adapt. I love “LEARNING“. Pictured …
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Friends complain that I am never available, always busy doing or learning something new. This weekend was no exception. I spend the whole day Sunday learning “Dyeing Silk Shibori Style with Indigo”, in San Diego with Ruth Eileen Dorn. What can I say… I love learning new tricks. I will photograph my scarfs (and t-shirts) …
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From a very young age, spiritual and intuitive matters have intrigued me and held my interest. I come from a family of “sensitive” women who were always telling fortunes and reading cards. My mom was extremely intuitive, read cards, and always had an uncanny way of “knowing” things. She passed this “sensitivity” down to me. …
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The art of “letting go”… continues at a mad pace, here in the studio. I haven’t had this much fun since I was kid. Really! I have been practicing letting go of fear, a little at a time. I read about this in Pema Chodron’s book, Taking the Leap: Freeing Ourselves from Old Habits and …
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Letting go is the motto of the month. Not just “any” letting go, but specifically letting go of “making mistakes”. It is truly impossible to express oneself through art without the willingness to MAKE MISTAKES!!!! But I caught myself, and on more than one occasion, wanting to lay down a line of ink, or scribble …
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Mistakes. Making mistakes, the lack of making them and the being okay with making them. Letting go. Seeing what happens. Work in a new medium, and test the boundaries. Being okay with making something that no one likes, needs to have or wants to buy, it’s all okay. It’s even okay if I don’t like …
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Playing with color, new materials and experimenting with friends is the name of the game… Saturday, I needed a boost… to offset the contraction of the opening of my show “Luminous” (which was a blast, but the aftershock is always a bummer). So I headed to San Diego and met up with Kathy and Lydia …
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